Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers

Sci-Fi Visionary: Piotr Szulkin Celebrates Certainly One Of Poland’s Most Revolutionary Filmmakers

“An Eastern European Ridley Scott… the cultural commentary of Szulkin’s oeuvre is universalist… his future is our now.” – Ela Bittencourt

“The Polish ‘cinema of anxiety’ soars from this globe into the work of Piotr Szulkin… the movies thrive on imaginative eyesight and sociological absurdity.” – Steve Dollar, Wall Street Journal

Movie at Lincoln Center is very happy to announce Sci-Fi Visionary: Piotr Szulkin, a retrospective celebrating one of Poland’s many filmmakers that are revolutionary September 6-8.

A manager, screenwriter, novelist, theatrical director, and painter, Piotr Szulkin frequently encountered censorship through the Polish Communist regime of this belated ’70s and very very early ’80s for their unabashedly governmental works. Szulkin’s profoundly imaginative movies can be looked at as existential stories, absurdist parables, or premonitions about contemporary society’s hostility as well as the evils of totalitarianism. Drawing from 20th-century philosophy and Polish literature that is medieval speculative fiction, noir, and grotesque allegories, Szulkin masterfully wielded the shoestring budgets afforded him to produce shockingly iconoclastic technology fiction movies. Referred to as “the undiscovered Fritz Lang of 1980s Mitteleuropa” (Michal Oleszczyk, RogerEbert.com), Szulkin made movies that have been hardly ever seen away from their indigenous Poland but which continue steadily to resonate with chilling truths about humankind, drawing eerily prescient parallels to the present global climate that is political.

Among the biggest retrospectives of their strive up to now, Sci-Fi Visionary: Piotr Szulkin provides an array of brand new digital restorations and brought in movie images. The show showcases each of Szulkin’s features, including their audacious cult classic Golem , frequently considered a precursor to Blade Runner ; The War of this Worlds: Next Century, a reimagining associated with the H.G. Wells novel and an indictment of mass media’s impact on civilians; O-Bi, O-Ba: The End of Civilization , which follows the residual survivors of a nuclear apocalypse because they watch for a mythical Ark to truly save them from their serious situation; Szulkin’s exploration of feminine sex into the increasingly delirious and erotic Femina ; the dadaist Ga, Ga: Glory to Heroes , which follows a prisoner aboard a penitentiary spaceship while he is delivered for a objective https://mail-order-bride.net/ukrainian-brides/ ukrainian brides up to a authorities state hell earth; and Szulkin’s last movie, King Ubu , on the basis of the 19th-century Albert Jarry play, a brutal commentary on contemporary Poland within the aftermath for the Communism Szulkin criticized throughout his profession. Also, the retrospective will emphasize Szulkin’s film that is short, like the folklore-inspired morality play Dziewce z ciortem in addition to documentary Working Women .

Presented in collaboration with all the Polish Cultural Institute ny.

Arranged by Florence Almozini and Tyler Wilson.

Tickets carry on sale Thursday, August 15 and are also $15; $12 for pupils, seniors (62+), and people with disabilities; and ten dollars for movie at Lincoln Center users. Save with all the purchase of three seats or maybe more.

Acknowledgments: Polish Cultural Institute Nyc; Daniel Bird

FILMS & DESCRIPTIONS All tests happen during the Walter Reade Theater (165 western 65th Street) unless otherwise noted.

Femina Poland, 1991, 35mm, 84m Polish with English subtitles After her husband leaves for a prolonged company trip and her mom dies, a coolly detached, bourgeois housewife (Hanna Dunowska) embarks on an outre carnal odyssey looking for intimate satisfaction, leading her into increasingly deranged, sinister realms as memories from fever-dream seductions to her childhood mingle. Equal components coming-of-age nightmare, softcore satire, and surrealist cantata, Szulkin’s delirious erotic fantasia unfurls in a nonstop rush of indelibly uncanny images—from a free-floating apparition of a lusty Joseph Stalin to a couple of shockingly randy puppets—as it savages faith, their state, plus the idea of the family that is nuclear.

Preceded by: brand brand New electronic restoration Working Women / Kobiety pracujace Poland, 1978, 6m U.S. Premiere Stylized with dramatic interiors and a distorted framework price, this very very early documentary miniature from Szulkin depicts six sequences of solitary, repetitious work. Saturday, September 7, 4:30pm Sunday, September 8, 8:00pm

Ga, Ga: Glory to Heroes / Ga, Ga – Chwala bohaterom Poland, 1986, 35mm, 84m Polish with English subtitles Resistance is useless in Szulkin’s stunningly nihilistic satire that is dystopian. In the next where life in the world happens to be therefore wonderful that only prisoners can be used for the high-risk company of area research, poker-faced intergalactic inmate Scope (Daniel Olbrychski) is delivered on an apparently doomed objective to an uncharted earth. Upon their arrival, he discovers some sort of curiously such as for instance a dilapidated, postapocalyptic Earth, where he could be welcomed by the population as being a “hero,” an ignominious honor, he quickly learns, that accompany a many fate that is barbaric. Using the film’s title that is appropriately nonsensical the babble of their child daughter, Szulkin provides a bleakly acerbic commentary from the absurdity of life in an authorities state. Friday, September 6, 4:30pm Saturday, September 7, 8:30pm

Brand brand New electronic renovation Golem Poland, 1980, 92m Polish with English subtitles in a few dystopian future, experts try to produce a unique, flexible battle of people. an apparently ordinary item regarding the effort, the genetically engineered Pernat (Marek Walczewski) is subject to round-the-clock monitoring while he goes about his life amidst drab Soviet bloc architecture. Szulkin’s feature that is bold, styled in sepia tones and dramatic lighting, happens to be called a precursor to Blade Runner , but its name additionally appears back again to a more ancient misconception of creation and morality.

Preceded by: brand brand New electronic restoration The Gal plus the Fiend / Dziewce z ciortem Poland, 1976, 14m Polish with English subtitles U.S. Premiere Szulkin stages a morality play of a sinful woman’s encounter aided by the devil, set to your Polish ballad of the same title and imbued with folkloric imagery. Friday, September 6, 6:30pm Saturday, September 7, 2:00pm

New restoration that is digital Ubu / Ubu krol Poland, 2003, 90m Polish with English subtitles U.S. Premiere According to Alfred Jarry’s late 19th-century, proto-Dada political satire Ubu Roi , Szulkin’s last movie can be a crazy, carnivalesque commentary on post-Communist Poland by which drunken degenerate Ubu (Jan Peszek) seizes control of the monarchy in a supposedly “democratic” takeover (their signature policy: universal free alcohol) simply to institute his or her own absurdist, tragicomic reign of terror. Upgrading Jarry’s iconoclastic eyesight with a new dosage of dark, post-Soviet cynicism, King Ubu can be an incendiary summative statement from a musician whom devoted their profession to lobbing grenades during the equipment of totalitarian governmental corruption. Sunday, September 8, 6:00pm

New restoration that is digital, O-Ba: The End of Civilization / O-bi, O-ba – Koniec cywilizacji Poland, 1985, 88m Polish with English subtitles What stays of mankind post–nuclear apocalypse is restricted up to a squalid underground bunker where survivors toil desperately to uphold the past vestiges of civilization. They truly are spurred in by their fervent belief in a fabled Ark that may deliver them from their residing hell—a misconception propagated by the powers that be, and distribute, in component, by the increasingly disillusioned smooth (Jerzy Stuhr) while he tries to prevent total collapse. Employed in an expressionistically grimy, grey- and blue-toned palette, Szulkin crafts a shattering existential parable concerning the false claims of politics and faith that plays down such as a Sisyphean journey into madness. Saturday, September 7, 6:30pm Sunday, September 8, 4:00pm

New digital renovation The War associated with the Worlds: Next Century / Wojna swiatow – nastepne stulecie Poland, 1981, 96m Polish with English subtitles aimed at both H. G. Wells and Orson Welles, Szulkin’s followup to Golem starts using the Christmastime takeover of Poland with a band of hyperintelligent, bloodthirsty martians (played by silver-painted dwarfs in puffer jackets) who enlist hapless tv newscaster Iron Idem (Roman Wilhelmi) since the sound of these 1984 propaganda machine that is-esque. Nevertheless when Iron dares to stop message, he makes an enemy also more than the aliens: the state it self. Released in the same way Poland was being plunged into martial legislation and instantly prohibited, The War associated with the Worlds: Next Century is really a disturbingly prescient allegory of energy, control, and news manipulation in a post-truth globe. Friday, September 6, 9:00pm Sunday, September 8, 2:00pm

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